Inspirational Artists: Oscar-Claude Monet
Oscar-Claude Monet is regarded as the founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy and plein-air landscape painting.The term "Impressionism" is derived from the title of his painting Impression, soleil levant (Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.
Monet's ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.
Claude Monet was born 1840 in Paris.Despite being baptised Catholic, he later became an atheist and in1845, his family moved to Le Havre in Normandy. His father wanted him to go into the family's ship-chandling and grocery business, but Monet wanted to become an artist. On the beaches of Normandy around 1856 he met fellow artist Eugène Boudin, who became his mentor and taught him to use oil paints. Boudin taught Monet "en plein air" (outdoor) techniques for painting.
When Monet traveled to Paris he met other young painters, including Édouard Manet and others who would become friends and fellow Impressionists. In March 1861, Monet was drafted into the First Regiment of African Light Cavalry (Chasseurs d'Afrique) in Algeria for a seven-year period of military service. In a Le Temps interview of 1900 he commented that the light and vivid colours of North Africa "contained the germ of my future researches". After about a year of garrison duty in Algiers, Monet contracted typhoid fever and briefly went absent without leave. Following convalescence, Monet's aunt intervened to get him out of the army if he agreed to complete a course at an art school. In 1862 Monet became a student of Charles Gleyre in Paris, where he met Pierre-Auguste Renoir, Frédéric Bazille and Alfred Sisley. Together they shared new approaches to art, painting the effects of light en plein air with broken colour and rapid brushstrokes, in what later came to be known as Impressionism.
During the latter part of 1873, Monet, Pierre-Auguste Renoir, Camille Pissarro, and Alfred Sisley organized the Société anonyme des artistes peintres, sculpteurs et graveurs (Anonymous Society of Painters, Sculptors, and Engravers) to exhibit their artworks independently. At their first exhibition, held in April 1874, Monet exhibited the work that was to give the group its lasting name. He was inspired by the style and subject matter of previous modern painters Camille Pissarro and Edouard Manet.Impression, Sunrise was painted in 1872, depicting a Le Havre port landscape. From the painting's title the art critic Louis Leroy, in his review, "L'Exposition des Impressionnistes," which appeared in Le Charivari, coined the term "Impressionism". It was intended as disparagement but the Impressionists appropriated the term for themselves.
The first Impressionist exhibition was held in 1874 at 35 boulevard des Capucines, Paris, from 15 April to 15 May. The primary purpose of the participants was not so much to promote a new style, but to free themselves from the constraints of the Salon de Paris. The exhibition, open to anyone prepared to pay 60 francs, gave artists the opportunity to show their work without the interference of a jury. Renoir chaired the hanging committee and did most of the work himself, as others members failed to present themselves.
In addition to Impression: Sunrise , Monet presented four oil paintings and seven pastels. The total attendance is estimated at 3500, and some works did sell, though some exhibitors had placed their prices too high. Pissarro was asking 1000 francs for The Orchard and Monet the same for Impression: Sunrise, neither of which sold.